Category Archives: Graphic Design

Why You Need a Graphic Designer Who Understands Printing

In this post, I want to discuss why you need a graphic designer who understands printing. This is especially true if you wish to print business cards, book marks, and other marketing materials.

Why You Need a Graphic Designer Who Understands Printing

Why You Need a Graphic Designer Who Understands Printing

In past posts, I mentioned the different printing processes and what each one is used for. I also discuss that today’s digital printers can only handle certain paper sizes and weights.

Now I want to take this a step further to discuss specialty “soft touch” papers and soft touch finishes. These are popular choices for those who want to emulate elegance and sophistication. But they have their limitations.

Why You Need a Graphic Designer Who Understands Printing

Graphic designers are truly creative people who can take your author business to the next level. They can design stunning business cards, book marks, trade show banners, et cetera, to complement your books. Many of them are recommending soft touch to their clients nowadays. Feel a soft touch business card or presentation folder just once, and you’ll understand why.

But before you hire a graphic designer to help you produce any speciality marketing materials, ask if he or she has a printing background. If not, ask that designer to vet his or her recommendations through a local printer before presenting them to you. It will save you a lot of time having your print jobs quoted and requoted several times over.

Some of these specialty papers/finishes cannot be run through digital printers. They’ll either get jammed or they’ll melt. They can only be printed on an offset press, which means you’ll have to produce large quantities of them. As discussed in an earlier post, offset presses cannot be used for short runs. This is because the set-up cost is far too high to print only a few copies at a reasonable price.

Related reading: Why Do Authors Need Graphic Designers?

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2019 Polished Publishing Group (PPG). All rights reserved.



3D Book Cover Template: Book Series Promotion

3D Book Cover Template

3D Book Cover Template

Looking for a great 3D book cover template to help you promote your next book series? I know a great tool you can use for free.

3D Book Cover Template: Boxshot Online

When it comes to pre-promoting your book series online, it’s always nice to create 3D cover images (like the ones shown above) for your blog and/or social media sites. These stand out more than the flat images that are created by other template builders.

I used a free tool called Boxshot Online to create my 3D covers. It’s a pretty simple and user-friendly site.

Create a 3D Cover Image in Minutes

Boxshot can help you create a 3D image of your book within minutes. All you have to do is upload your front cover from Canva into the front cover spot of the template. If you want your 3D image to have a spine just like hardcover/paperback books have, then you will need to create one and upload it into the spot where it asks for a spine. You can leave the back cover portion blank, as no one will see it on your image anyway.

Create a Book Spine With Ease

I created pretend spines for my ebooks using Microsoft Word. First, I inserted my cover image into a blank Word page. Then I created a vertical text box beside it that matched its height dimensions. I typed my book title and name into that vertical text box. Then I took a screen shot of the whole image using the “ctrl” and “prt sc” keys on my PC keyboard.

From there, I opened up Paint (a standard photo program on all PC computers). I clicked on the “ctrl” and “v” keys on my keyboard simultaneously to paste that screen shot into the Paint program. I then cropped out the spine and saved it as a .JPG file, called “spine file,” separate from the cover image file. Done. Easy. Simple. (The beauty of this is that you’ll barely be able to see the spine in your 3D image. You can get away with using a low-resolution screen shot image in this instance.)

A Versatile Tool for Creating 3D Cover Images

Next, upload both your front cover and spine images into the Boxshot template. Now you can play around with various options such as yaw, pitch, contrast, and shadow. You can even move the book image itself so that less or more of the spine is showing. It’s a versatile tool, and it’s free of charge to use.

The only portion of this process that will cost you anything is when it comes time to download your 3D images. I paid $10 USD for a 24-hour licence to manipulate and download as many different marketing images as I wanted to for all four of my ebook covers at the same time. “Bada bing, bada boom. Done!”

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2018 Polished Publishing Group (PPG). All rights reserved.



3 Reasons Graphic Designers Should Never Edit Books

3 Reasons Graphic Designers Should Never Edit Books

3 Reasons Graphic Designers Should Never Edit Books

There are 3 reasons graphic designers should never edit books, despite your genuinely good intentions in doing so. So many do this as a form of “value add” for the clients who hire you to design their books. What you don’t realize is that you may be causing more harm than good.

#1 of 3 Reasons Graphic Designers Should Never Edit Books: All Editors Edit Differently

While it’s in all authors’ best interests to have as many different pairs of eyes as possible on their books, to catch as many of those last-minute typos as possible before publication, this practice also comes with its challenges. This is because they can give the same work to three different editors, and each one of those people will copy edit it differently from the others. Every single time. Without exception. And then the proofreader will make even more changes that will seem to contradict these editors’ recommendations … unless authors specify which editorial style guide they should all be using right from the very start. In other words, there’s no “one right way” to do this, which can be very confusing/frustrating for authors at times.

That’s why simplicity and consistency in editing is so important to every author’s sanity and why graphic designers should stick to designing alone. Otherwise, you’re just adding one more opinion to an already-complicated group of opinions. Believe me, it can be more confusing than helpful.

#2 of 3 Reasons Graphic Designers Should Never Edit Books: Editorial Style Guides

To take this a step further, English is far from being a simple, straightforward language. That’s much of the reason why editors and proofreaders sometimes contradict each other. There are many different editorial style guides associated with the English language. In fact, each different English region has its own: the UK, Canada, the USA, Australia, New Zealand, and South Africa. We all have different ways of spelling and punctuating the English language, so we each use different style guides.

To achieve the desired simplicity and consistency mentioned earlier, my company now creates a customized editorial style sheet for every single one of our authors. The styles are driven, first and foremost, by each author’s preference (if any) as to which primary guide we should use (e.g., The Oxford Style Manual for British authors, The Chicago Manual of Style for American authors, a special blend of the two for Canadian authors, et cetera). From there, the customized editorial style sheet is created by the primary editor. All other proofreaders and editors follow that editor’s lead for every book published by that author going forward. Since most graphic designers are not privy to which style guides are being used, you are not in a position to make any changes to the books.

#3 of 3 Reasons Graphic Designers Should Never Edit Books: Stick With Your Specialty

Editors would never recommend graphic design changes to a book; they know that’s the graphic designer’s specialty. That respect should go both ways. Editors know their jobs best and are most familiar with which style guide will work best for a particular project. So, when graphic designers see things that you think might be wrong, I recommend you leave it be. It’s okay to send a note to the publisher or author questioning a certain word, phrase, or punctuation mark. But never change it on your own. You may just be changing something that was correct exactly the way it was and undermining the agreements made between the editor, proofreader, and author. It’s best to just stick with your own specialty and let the editors stick to theirs.

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2018 Polished Publishing Group (PPG). All rights reserved.



Reach Your Mobile Readers With QR Codes

What is a QR code and how can you create one for free?

A static QR code (static meaning “unchangeable” once created), such as the one to the left of this paragraph, is a two-dimensional barcode. You can easily create one for your blog and/or website free of charge on this website. Where traditional linear, one-dimensional barcodes (like the ones on the back of books) are used to store small bits of information about the object they are on (such as the price of that book), a QR code has a larger storage capacity and can re-direct scanners to websites for much more detailed information.

How are QR codes used?

It’s as simple as downloading a free QR reader on your smartphone and you’re ready to go. That’s why this is the perfect tool to reach your mobile readers. Anyone with a QR reader on his or her phone can now scan these barcodes from magazine ads, books, signs on the side of a road, computer screens, you name it. I even saw a large QR code on the side of a city bus and was able to scan it through the city train window so I could view a local restaurant’s take-out menu on my way home from work. Brilliant!

Why pay someone to create a QR code for you ?  

Several years ago, my company website looked much different than it does now. It looked great on a laptop or desktop screen, but it wasn’t mobile friendly in the least. At that time, I wanted to learn more about QR codes. I created a free one for myself and also paid another company to create a more professional-looking QR code for me so I could see the difference between the two. The QR code they created is shown to the right of this paragraph.

When scanning the static QR code I created for myself, I could see that it took people straight to my website as planned. This was wonderful except for one thing; that website was intended to be read on a large computer screen. When it was viewed on a smartphone, the text and graphics all appeared very tiny, and it was difficult to navigate.

There was quite a contrast when I scanned the dynamic QR code (dynamic meaning “changeable” once created) that was created for me by some QR mobile marketing experts. Not only did they create a much more attractive QR code for PPG, but they also created a much more mobile-friendly landing page that still redirected to PPG’s main site. They even went so far as to add one of PPG’s promotional YouTube videos to that landing page. 

Case in point: if your website isn’t already mobile-friendly, and your website service provider has been unable to help you fix that for some reason, then you can always use the services of a professional QR code creator. They will oftentimes create a mobile-friendly landing page for your site along with the code itself.

How can authors best utilize this technology?

Authors can place a page at the back of each of their books that contains a QR code that redirects readers to their blogs or websites to keep readers abreast of any upcoming book launches, tours, or books. It’s a real-time update for readers even five years after that particular book was published. How convenient is that?

Watch for my upcoming T-Shaped marketing book on Amazon, Kobo, or E-Sentral that contains even more great mobile marketing tips! In this ebook, we’ll discuss the importance of mobile-friendly websites along with the value of QR codes, email marketing, text message (SMS and MMS) marketing, and social media marketing for authors.

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2018 Polished Publishing Group (PPG). All rights reserved.



Change Your Thinking on What Constitutes a Useful Non-Fiction Book … and Watch Your Business Soar!

You can download this .EPUB ebook from Kobo or E-Sentral.

How long does a book have to be in order to be considered a legitimate book by readers? 30,000 words? 60,000 words? 90,000 words? Even more? How many chapters long should it be? Five, 10, 15, or more? Which old wives’ tale have you heard that has you filling your manuscript with a bunch of extra (not necessarily useful) information just to meet someone else’s theoretical and unsubstantiated recipe for success?

Leave the Fluff Out. Period.

Throw away any pre-conceived notions you may have about what constitutes a useful book—particularly when it comes to word count. I’m here to tell you that it’s more important to focus on the quality of your content than the quantity of words you’ve written. There is absolutely no need to add a bunch of unnecessary fluff into a non-fiction book just to get it to a certain word count. Basing a book’s value and saleability on word count is old-fashioned thinking. With non-fiction books of any kind, your number one priority is to understand your readers’ question/problem, and then answer/resolve it for them as clearly and easily as possible. That’s it, that’s all.

You can download this .EPUB ebook from Kobo or E-Sentral.

Cutting Edge Online Selling Techniques to Grow Your Business

There is a form of online book sales and marketing known as “rapid release” publishing that many of today’s most successful independent authors are using to sell literally thousands of books every year. Some of these indie authors are earning six-figure incomes from their ebook sales alone. In my research, I’ve found that non-fiction authors are among the perfect candidates for this form of self-publishing. Why? Because of your diverse demographics (e.g., seniors, adults, teenagers, children, males, females, et cetera) and the varied subject matter you can cover within your respective industries. Here are just a few examples:

Caterers can recommend different types of foods (e.g., canapés, fruit appetizers, vegetable appetizers, hors d’oeuvres, kebabs, deep fried appetizers, et cetera) for all types of events (e.g., weddings, bar mitzvahs, corporate functions, children’s parties, theatre events, et cetera).

You can download this .EPUB ebook from Kobo or E-Sentral.

Health and fitness entrepreneurs can write endless non-fiction copy about different muscle groups, exercises, food groups, diets, et cetera.

Interior decorators can make recommendations about floor plans, lighting, artwork, framing, Regency, Georgian, et cetera.

Hairdressing professionals can cover long hair, short styles, curls, braids, updos, colours, et cetera.

Online and distance educators can repurpose weeks and weeks of lesson plans for the do-it-yourselfers of the world who prefer the more solitary learning environment of an ebook or audiobook lesson to a social classroom setting.

Automotive service technicians can advise readers on vehicle maintenance and repair for all kinds of different makes and models, various automotive parts and how they work, et cetera.

You can download this .EPUB ebook from Kobo or E-Sentral.

The list goes on and on. The possibilities are endless for business owners who wish to publish non-fiction books to expand their businesses.

How to Write for the “Rapid Release” Publishing Process

Does a book have to be 60,000 words and 10 chapters long in order to constitute a useful book? Or could each chapter be a mini ebook in its own right—part of a “mini series” of individual topics that allow readers to choose which topic they wish to read and buy that one alone on any given day? 

Let’s say you want to complete one mini ebook within a three-week time period. If you’re already running a business full-time, that means you probably only have two or three hours of writing time available per day during the weekdays; but if you’re truly dedicated to this “rapid release” publishing process, then you’ll take at least another six hours per day on the weekends, if not more. That gives you a conservative 81 writing hours in total.

You can download this .EPUB ebook from Kobo or E-Sentral.

3 hours X 5 days X 3 weeks = 45 weekday hours
6 hours X 2 days X 3 weeks = 36 weekend hours
45 + 36 = 81 writing hours

Commit yourself to this schedule. You’ll be amazed by what you can accomplish once you make a firm decision to write for this many hours each week.

Now break it down by hour. How many words can you write in one hour? 100 words per hour will result in an 8,100-word mini ebook at the end of three weeks. 300 words per hour will result in a 24,300-word ebook. 500 words per hour will result in a 40,500-word ebook at the end of three weeks. Don’t get too hung up on the word count because, as I said earlier, quality is more important to your readers than quantity is. I added this mathematical exercise here simply to demonstrate what you can accomplish in a short amount of time. When you break it down like this for yourself, it suddenly appears more achievable, doesn’t it? And when your goal appears more achievable to you, you’ll be more apt to stick with it and see it through to the end.

You can download this .EPUB ebook from Kobo or E-Sentral.

How About a Picture Book?

Children aren’t the only ones who can enjoy a picture book. Picture books containing “how-to” illustrations or graphics throughout (e.g., exercise routines, hair styling techniques, before and after automotive repair examples, et cetera) can be very helpful to adult learners. Let’s say your goal is to create a 20-page picture book, within three weeks, that contains only one or two sentences per page. Well, including the cover, that will be 21 pages to complete—equivalent to one page per day over a three-week period. Totally doable, especially when it’s your passion!

It’s time to change your thinking on what constitutes a useful non-fiction book, because the way the world reads is changing, and the way books are written and published is changing along with it.

Want to learn more about “rapid release” publishing and how it works? Click here.




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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2018 Polished Publishing Group (PPG). All rights reserved.

People Judge a Book by Its Cover … AND Its Interior

After writing (ghostwriting) and copy editing comes the next step in the book publishing process: professional graphic design. This is a critical part of the process, and it is as important to an ebook as it is to a paperback or hardcover. 

Not All Designs are Equal

No matter how engaging your story might be, people are going to “judge your book by its cover” before they ever decide to read it. Yet, it won’t stop there. They’ll not only judge it by the cover design; they’ll also judge it by the interior design. Just as not all editors are equal, a noticeable difference is apparent between a book designed by a human or mechanical “template builder” and one designed by a professional graphic artist. As such, the graphic design of your book—both inside and out—should receive the same professional attention as the content itself.

When deciding how you would like your book’s cover and interior to appear, it is best to browse a bookstore (whether in person or online) and view the many different examples there first. What designs, colours, and fonts draw your attention the most? Write down the book titles and author names, so you can use this as a handy reference when it comes time to provide a description to your graphic designer. This will help the process run much more smoothly for both of you.




Put Some Thought Into It

It is very important to put a lot of thought into the design of your book rather than just leaving it to chance. Graphic designers can only take what is given to them and create the book from there. It’s downright dangerous to give someone a simple instruction such as “You choose the font for me” or “You choose the colour for me” because that’s exactly what the designer will do—choose it for you depending on his or her own personal preferences. What if that designer didn’t fully understand what you were after? What if you end up not liking it at all because of that? As a result, you might end up paying extra for a complete redo down the road. So, it’s best to do your homework ahead of time and provide as much detail to the designer as possible. 

Author Photos Say It All

Author photos make as powerful a statement about the author as a book cover makes about the story inside. As such, this photo should be given as much care and consideration as the rest of the book. When it comes to author photos, “attractive” can come in all kinds of forms. 

The back cover of a book is a great place to put an author photo, but sometimes it’s just as well to put it on the front. It can be a simple headshot or full-length portrait, depending on the writer’s preference. It can be done in black and white or color.

Visit the section of your local bookstore or favorite e-commerce site where your book will sell. Browse the covers and authors photos in there. Which one jumps out at you most? That’s your starting point. Run with it.

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2018 Polished Publishing Group (PPG). All rights reserved.

Eliminate Bad Breaks, Widows, and Orphans for Professional Results

Kim Staflund: founder and publisher at Polished Publishing Group (PPG) and author of the PPG Publisher’s Blog

There are certain telltale signs that differentiate a traditional trade-published book from a self-published book. There are little subliminal types of things that separate a professionally published, properly edited/proofread book from the rest. Much of this is subconscious. Your average readers will pick up on these things without even realizing it, and this will influence their opinions of your book.

If you want to self-publish your book and you want to ensure the most professional result possible, then it is always wise to hire outside help to catch all these little details for you just as the trade publishers do for their books. In an ideal world, you’ll work with a professional copy editor, designer, and proofreader because they each bring something different to the table that can dramatically improve the quality of your book.

Where a copy editor’s job is to review and improve an author’s raw manuscript, and the graphic designer’s job is to arrange that raw edited text into a professional and appealing layout, a professional proofreader provides yet another set of eyes to ensure that all the components fit together properly and the book is ready for public viewing and printing. The proofreader’s job is to complete the following nine-point check:




Interior Check

• The front matter (such as the table of contents) is accurate and correct.
• The back matter (such as the index) is accurate and correct.
• Headers and footers are accurate and correct.
• Bad breaks, widows, and orphans are eliminated.
• Text is kerned to flow smoothly throughout.
• Margins and trim size all measure properly.
• Spelling and punctuation is correct.

Cover Check

• Spacing, bleeds, and trim size all measure properly.
• Spelling and punctuation is correct.

As shown in the above list, a professional proofreader is someone who is knowledgeable and experienced with both basic language editing (spelling and punctuation) as well as the technical aspects of book design (kerning, bleeds, trim size, et cetera). His or her job is to catch all the “leftovers” such as bad breaks, widows, and orphans that may still be in your book once it has been copy edited and designed.

Bad Breaks, Widows, and Orphans

A book’s interior is usually either justified or flush left as shown in the diagram below.

https://en.wikipedia.org/wiki/Typographic_alignment

If you choose justified alignment for your interior, then you have to be especially concerned with bad breaks in words. For example:

http://nitens.org/img/latex/hyphenation.jpg

The words “curious” and “remember” are badly broken up in the above sample. To avoid this, you can kern that particular block of text either slightly looser or slightly tighter to ensure the full words land on one line rather than breaking up into two lines. Believe me when I say that extra little detail can subliminally affect the quality of your book in other people’s eyes. It takes no time at all to fix it, so I highly recommend that you do.

Widows and orphans are a concern whether your text is justified or flush left as shown in the below image:

http://www.edgee.net/wp-content/uploads/2014/01/widow-orphan.png

As shown above, a widow is a lone word stuck on a line by itself anywhere in a page; whereas, an orphan is a lone one or two words that have landed by themselves on a line, up on the next page. Both of these things affect the flow and professional appearance of a book whether you realize it or not. Professional publishers always ensure these types of issues are eliminated by meticulously kerning certain blocks of text throughout the book (as opposed to adding in extra line breaks or paragraph breaks in random places to try to correct the issue).

Self-publishers should do the same for best results. It will make a subconsciously noticeable difference to your end result by ensuring a more professional product.

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2017 Polished Publishing Group (PPG). All rights reserved.



Common Formatting Issues in Microsoft Word: Four Easy Tips for Authors

Lynette M. Smith

Basic formatting knowledge will serve you well throughout your writing career. If you perform some types of basic formatting on your manuscript, you’ll not only prevent distractions as you focus on quality writing, but you’ll likely save money too. Here’s why.

Formatting errors and inconsistencies that remain in your manuscript will distract your copyeditor from performing high quality work while reading. A smart copyeditor scrubs (basic-formats) the manuscript before starting to read, but you’re billed for that time. Even if you tell your copyeditor to disregard the formatting, your book-layout professional will have to resolve these problems later on, and you’ll still be billed for that time.

Figure 1

Here are four common manuscript-formatting issues and how you can address them.

1. First-Line Paragraph Indents

The wrong way: Use the tab key or type a series of blank spaces.

The right way to change only one paragraph indent: Go to the Paragraph window (see Figure 1), click the down arrow, and select First line from the resulting pull-down menu. Then use the vertical arrows to select your preferred amount of indent (either the 0.5” default or something smaller, such as 0.3”, or manually type in a more precise measurement, such as 0.25”).

Figure 2

The right way to change all paragraphs that use the Normal style: Click on the Home ribbon tab. Right-click the Normal style and select Modify to open the Modify Style window (see Figure 2). Here, you can customize the font and font size, and many other options.

When you click the Format button in the lower left corner of that window, you’ll see a pull-down menu with several options; left-click on Paragraph, and the familiar Paragraph window will appear; there you can select First line indent and the amount of indent, plus change other settings, like type of Justification (left vs. full), line spacing, points of extra space below each Normal paragraph, etc. When you finish customizing the settings in the Paragraph window, click OK to return to the Modify Style window.

Once back in the Modify Style window, make sure the radio-button “Only in this document” (located just above the Format button) is selected; then click OK to close the Modify Style window.

Note: In your document later on, you can override this indent for an individual paragraph, such as the first paragraph of a chapter or the first paragraph after a hiatus in a novel. Simply click once in that paragraph, access the regular Paragraph window, and change “First line” to “None.”

Figure 3

2. Spacing between Sentences and Words and after Colons

The wrong way: Type two spaces between sentences, after colons, or anywhere else.

The right way: When you finish your final draft, go to the far right-hand side of the Home ribbon tab and click Replace (within the Editing section) to open the Find and Replace window (see Figure 3). In the “Find what” box, type two spaces (press the space bar twice). In the “Replace with” box, type one space (press the space bar once). Then click Replace All, as circled in Figure 3. Repeat as needed until no occurrences of two spaces remain. (This process also corrects the accidental typing of two spaces between a pair of words.)

Figure 4

3. Horizontal Centering of Titles

The wrong way: Use a combination of spaces and tabs to horizontally center text.

The right way: Left-click once anywhere on the line or paragraph or graphic you wish to center. Then, on the Home ribbon tab, click the icon circled in Figure 4 to center what you’ve selected.

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4. Starting a New Page

The wrong way: Press the Enter key repeatedly until the desired text is forced to the top of the next page. The problem with this technique is that, if you later insert or delete text on an earlier page, then the line of text you intended for the top of the new page with will have moved either further down the page or to the bottom of the previous page, forcing you to spend extra time making adjustments—and you’ll likely have to adjust every subsequent chapter too!

The right way: Instead of inserting all those blank lines, insert a manual page break between chapters and/or sections. Here’s how: At the end of your chapter or other major section where you want to begin a new page, strike Control-Enter to insert the manual page break. Your cursor will then be at the top of the next page, where you can type your next chapter heading and content.

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When you follow these tips, your formatting will be clean and easy to work with, you can focus better on quality writing, and you can reduce your costs for copyediting and book layout.

________________________

Lynette M. Smith works with book authors on their manuscript copyediting and book-layout proofreading in her long-established business, All My Best Copyediting and Heartfelt Publishing (AllMyBest.com). She is also the published author of the popular 40-page handbook, 80 Common Layout Errors to Flag When Proofreading Book Interiors, as well as the award-winning comprehensive reference book, How to Write Heartfelt Letters to Treasure: For Special Occasions and Occasions Made Special. Contact Lynette through her copyediting website, publishing website, or email , and follow her on LinkedIn and Facebook.

© Lynette M. Smith 2017



Reflections on Indie Authorship from Warren Brown

Warren Brown

The First Story Which Made an Impact on My Creativity

The first story I read which made an impact on me was “Treasure Island” by Robert Louis Stevenson. The story was filled with action, adventure and suspense. I always look for adventure and excitement in the books I read. This has in turn made me want to keep my readers gripped from the beginning of my stories as well.

Writing Influence

My Dad is a writer. He had a great influence on my writings.
I grew up in Calcutta, India and being of British-Indian (mixed-race) origin, it has also had a major influence on my writings.

I belong to the Anglo-Indian or Eurasian community, which originated in India over 400 hundred years ago, when British and European soldiers and merchants married and had affairs with Indian women. The children of these unions came to be known as Eurasians or Anglo-Indians.
The Anglo-Indian community is the only race in India whose Mother-tongue is English, who have a British Ancestor on the male side of the family and who are Christian by faith. The Anglo-Indian community in India has declined in numbers over the years.

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The Writer’s Journey

I first started writing poems, research articles and blogging, when I was seventeen years old. It is now 30 years since I have been writing and publishing on the web.

The Art of the Book Cover

The cover needs to reflect the essence of the story in my opinion. Cover design is an art, which I am still learning about. The cover should be able to generate interest in the mind of the reader. The cover is the first visual hook which the readers sees even before the title. The title comes next in the reader’s view and mind.

The Importance of Social Book Marketing

I use my blogs and my author website to do my book marketing, as well as the usual social bookmark sites on the web. I even have an e-newsletter to keep my readers updated on my writings. Twitter is now my favourite social site for spreading the word about my writings. I find Twitter very useful as there are so many authors who offer other authors support and encouragement with their writings.

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The Story behind “Travelman”

My latest book “Travel Man” is based on the freedom of the imagination which we all have, but which remains hidden. In the case of the character in the book, his mind and his vivid imagination play an important role in his survival.

Human imagination does have a very active role to play in our lives, but it possesses the power to change our lives and the history of mankind.

An Indie Author on Amazon Kindle Publishing

I enjoy the freedom of indie publishing. I am able to have full control over almost every aspect of getting my work published and ready for my readers to enjoy. I like the speed and the extensive outreach of writing and indie publishing. I have so many ideas for the future and I feel that indie publishing gives me the freedom I need to express my creativity.

I publish my short stories, novellas and novel on Amazon Kindle publishing. I give my books free to readers, which has helped me to grow my reader base. I promote my books on Twitter and other social sites.

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The Greatest Joy of Writing and Publishing

My greatest joy of writing and publishing is that I have the opportunity to give life to my ideas and to express my creativity. Completing and publishing a book is an exhilarating experience for me, every time.

Treasure Your Readers

Every artist needs someone to appreciate his or her work. My fans are most important to me and I owe it to them to keep on writing and publishing more exciting and thrilling books for them. Thank you fans for liking my work.

The Storyteller Series

The Storyteller is an adventure fantasy series about a man who discovers that he possesses the powers of Story, with the ability to craft and weave stories to fight crime.

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On Becoming an Author and an Entrepreneur

Every author needs to become an Entrepreneur. I have always been interested in advertising and marketing. This has got be involved in blogging and promoting my books on social media. My strategy is that I first write and publish my books, after which I spend one week doing social media promotions on sites like Twitter, Instagram and Pinterest.

I have also joined a number of author sites on which I promote my published books. I enjoy writing, publishing and marketing. I wish that I could publish one or two books a month. With the help of Amazon kindle publishing, I can now publish more than one short story a month, which is just fantastic for any author.

Website: http://www.warren-brown.com

Blogs:

http://warrenbrown.blogspot.com

https://warrenbrownauthor.wordpress.com/

Amazon Author Profile:

UK

https://www.amazon.co.uk/Warren-Brown/e/B003AN10UI

USA

https://www.amazon.com/Warren-Brown/e/B003AN10UI

Book Machine

https://bookmachine.org/bb_project_tag/warren-brown-amazon-author/

Goodreads Author Profile

http://www.goodreads.com/author/show/5399385.Warren_Brown

Facebook Author Page

https://www.facebook.com/warrenbrownauthor/

Authorsdb

https://authorsdb.com/community/15322-warren-melvyn-brown

Travelman

http://selfpublishingadvice.org/iaf2017covers/travelman/

© Warren Brown 2017



Learn at Your Own Pace: Online Courses in Writing, Publishing, and Selling Books

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