Tag Archives: writing

Introduction to Writing

Alberta Sequeira

Welcome to your world of writing. It all begins with a thought for a great story. The next step is to start writing your first sentence.  You don’t need to spend every spare moment at the computer. A half hour a day will bring your story together. Pushing aside your desire to write will never fill your dream of having that special book published.

Publishing your work can happen if you persevere and keep your confidence. Famous writers had to start where you are now. In the beginning, don’t worry about making every sentence flow together or panic because they make no sense. There will be numerous times going back to recheck your grammar, punctuation, and spelling. You may find it necessary to reword sentences. Those corrections should be in the last stages.

A computer is a gift and a best friend to a writer. Its function keys allow you to cut, paste, copy, delete or add a page from the internet to your manuscript. Remember, most mistakes can be fixed.

One important fact that I suggest is to SAVE your material with each paragraph or page that you finish. If you take a break, if there’s a storm, SAVE your work on a CD before shutting everything down. You’d be surprised how many hours of work can be lost. If it’s gone, you will learn what frustration is all about when you try to remember what you finished writing; you know, those perfect thoughts! 

When done for the day, SAVE your work on a CD. Make it a habit that you write your fresh, new, daily entries at the start of each day in your manuscript in the computer and SAVE the day’s work on the CD. It is easy to get mixed up if you start one day writing on the CD and saving the work the computer and then the next day starting on the computer and saving on the CD because you will over-riding pages of entries with your finished work. I made this horrible mistake with my first book for months forgetting which location I started my writing last, where it was saved, and I had deleted important information. Remember, work on the computer, Save on the CD at the end of the dayMake this a routine practice. 

Keep a pencil and a pad of paper in the living room, kitchen, and bedroom. Some of the best material seems to come during the wee hours of the night or morning. Have one special location to store your notes. Type them daily into your document. It saves paperwork from piling up or your notes getting lost. 

© Alberta Sequeira

www.albertasequeira.org

Email: alberta.sequeira@gmail.com

Bio:

Alberta Sequeira is from North Dartmouth, Massachusetts and is a four-time award winning Author, speaker, and an Awareness Coach on Alcohol and Drug Abuse.

Her memoirs are:  A Spiritual Renewal: A Journey to Medugorje, Someone Stop This Merry-Go-RoundAn Alcoholic Family in Crisis, and its sequel Please, God, Not Two; This Killer Called Alcoholism, and her Narrative Non-Fiction book What is and isn’t Working for the Alcoholics and Addicts; In Their Own.

Ms. Sequeira is an educational instructor for three workshops: Bring Your Manuscript to PublicationHow to Self-Publish Your Own Book with Create Space and Writing Memoirs.  All three classes were made into handbooks.  

She is a co-founder to Authors Without Borders (www.awb6.com) and a director, producer and co-host to the NBTV-95 Cable Show out of New Bedford, MA.  

She is in the process of working on her first fictional story, The Rusty Years.

STORY: How to Weave the Thread of Theme Into Your Writing

Mel Menzies

Story has existed since the beginning of time.  It is endemic to human nature, and is evident in cave-art (yes, it may be painting or carving but it’s there to tell a story), legend, folklore and mythology, the Bible, fairy tales and biography, drama, newspaper reports and novels.  But I wonder whether those of us who seek to write either fiction or memoir, truly understand the importance of its effect on human behaviour?  Let me explain.

THE EFFECT OF STORY ON READERS

Shortly before starting my Evie Adams’ series of mystery novels, I woke one morning with the following statement ringing in my head: Entertain your readers so that they will absorb truths they might otherwise resist.

Think about it.  Morality and duty to society are stated as key themes of Jane Austen’s novels.  True to the era in which she lived, she could have written on these subjects in a didactic, non-fictional manner, with the aim of teaching her readers how they might better behave.   Had she done so, however, I somewhat doubt that her books would have survived the twentieth century, let alone the twenty-first.  Yet survive – no, thrive – they do.  Precisely because she chose to convey these themes through the actions, dialogue and inner stream of consciousness of her characters, in response to the circumstances they encountered.

THE NATURE OF THEME

So what, exactly, is theme?  And how do we go about choosing it?

  1. Theme is the one word, or sentence, which characterises the reason for the book having been written, and its narrative.
  2. Theme might thus be described as the motive for your book; the message you wish to convey to your readers.
  3. Theme, for example, may be expressed as: forgiveness; destruction wrought by ambition; unrequited love; repentance; turning a self-centred life into a life which serves others, and so on.

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Thus, the story of a marital breakdown might focus on forgiveness as its theme.  Husband shoves wife aside and marches from room.  She falls and is injured.  The physical and mental trauma she experiences in hospital would be portrayed as a battle of will and emotion, in which pain, bitterness and anger would, naturally, rise to the surface.  Compassion, understanding, and empathy for the protagonist would be the obvious response in readers, whether or not they have shared similar life events themselves.

Adding to the conflict of the events the victim has experienced, and the feelings they’ve aroused, her sister is insisting that she takes legal action against her husband.   But what if the wife then searches her inner self and realises that she had some part in provoking the argument?  What if she catches herself out by recalling a similar event in her childhood, when she was, in fact, the perpetrator?  How, she asks, can she live with herself, harbouring bitterness and hatred, when she knows herself to be fallible?

As she goes through the inner arguments, and conveys them to her sister through dialogue, so, too, does the reader.  The story and theme play out in his or her imagination.  Until a decision is reached.  The denouement – the wife’s forgiveness of her husband, plus his remorse – leads to reconciliation.  To mutual happiness.  And to hope for a better future.

STORIES THAT DO MORE THAN ENTERTAIN

Your reader finishes the book feeling more than entertained.  His or her future attitude and actions have been influenced by osmosis.  You will have aroused questions in his or her mind; stirred up memories of relevant past events; perhaps, even, a determination to right a wrong.  They will have no need to be instructed in morality or clemency.  They’ve seen it for themselves.  And hopefully, they will have taken it on board.

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The story you have written, whether biographical or fiction, will have left your readers with a lasting impact.  Lives, behaviour and attitudes will have been changed.  Just think!  You’ll be more than simply a writer or an author.  As a lady who read my novel, Time to Shine, said to me: ‘That was a life-changer.’

***

Twice a wife, three times a mum, and seven times a grandma, I’ve been a multi-published author (under several nom de plume) since the 1980’s, with a Sunday Times No 4 Bestseller published by Hodder & Stoughton.  I’ve been a keynote speaker at conferences, led workshops, and taken part in radio and TV debates, panels and phone-ins.

My latest series of novels – family dramas with a page-turning mystery solved, not by a detective but by a counsellor – are set in Exeter and Dartmouth, and are available from Waterstones or any good bookshop, Amazon,  or at discount via PayPal, from my book page www.melmenzies.co.uk/books.  All proceeds are for charity.

‘This novel not only entertains, it inspires,’ says author, Pam Rhodes.

What I like about Mel’s writing,’ says Devon Life reviewer, Annette Shaw, ‘is that she explores issues and problems we all face.’


© Mel Menzies 2017

NEXT TIME: Story: Planning Your Plot

Patrick J. Power on Writing, Writer’s Block, and Overcoming the Fear of Failure

Patrick J. Power

If you want to sail the Atlantic, single-handed, then you have nobody to blame if something goes wrong on your trip; if you are an enthusiastic amateur tennis player, or an ardent professional, then you have no fall back, no scape-goat, as it were, to point the finger at and release a torrent of invective whenever you might lose.

Much the same can be said for the writer. The writer of any written original word. You are on your own, full stop. You decide when to write; you decide what to write. You never have to clock in or out. You can take coffee breaks whenever you feel like it. You can go to the bathroom and browse your favourite magazine to put off going back to the PC. You make the rules.

This doesn’t suit everybody. Many would-be writers, are not cut out to be writers, regardless of whether or not they might have developed the greatest single most original storyline for a novel in their heads. But getting it from your brain to the computer screen is the tricky part. If only we could copy & paste! Maybe contact Microsoft or Apple and suggest that they might develop an app which burns your most brilliant ideas on to that blank screen in front of you. And of course, that app would also be grammatically and spellingly correct! Ups!

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But, (there’s always a but) writing can be good also. I wouldn’t go so far as to describe it as being fun. When your fingers seemed to have found that delicate touch on the keyboard, as if they were creating magic words just like Clapton, or BB King, or some other impresario creating magical sounds on their respective sets of taut strings; that’s when it becomes so worth it. And a little later when you emerge from your happy daze and take a well-earned break from your endeavours and bask in the knowledge that one day, because of what you have just engraved onto your page, either the Man Booker judges, or the Pulitzer people will be frantically searching out your life’s details from that agent of yours who it took many heart-breaking years to find.

Am I coming across to you sounding like some facetious pompous ass who thinks he knows all about the art/act of writing?  Well, let me state very clearly, that I do not! If I sound facetious it’s probably because when all those years ago, at age eighteen, just graduated secondary school in the South-East of Ireland, I was reliably informed by my English teacher that whatever else I was about to do with my life, that I should begin writing at once and continue to write for the remainder of my life; that I did not. I thought I knew better. Live my life first and then write about it. But I don’t think it works that way. So, I took that sage advice on board and stored it away for forty years. But to my credit, I think, I carried out the, “whatever else” segment of his advice to the letter.

The following day, I took a flight to Boston with another eighteen-year-old and soon after started out on an overland trip from Boston to Buenos Aires. Following on from that memorable (and dangerous) trip I have worked as; a wheat farmer; Jazz Club manager, on the Upper-West Side of NY; oil-rig worker; construction worker in both Twin Towers in New York; an English teacher in Prague; fronted two different Rock & Roll band’s in New York and Dublin;  event manager at a major Music Festival; landed a Soccer Scholarship to Uni of ILL in Chicago; landscape designer in Boston; lived in a Volkswagen camping-bus for six months in Europe, whilst Busking for a living; studied Film & Editing in Waterford, Ireland; produced a round dozen Documentaries; lived in six different countries whilst touching my toes into the waters of another forty, before deciding to move to Belgium four years ago and begin to take my writing seriously.

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I tried every manner and means to escape the decision because I think I was afraid of failure. The greatest curse and drawback to becoming a writer, (a published writer, whether it be down the traditional route of, finding an agent/ agent finding a publisher/ publisher deciding to take you on, or, as I did, and so many more writers are doing, going it alone!) is that ever-present latent fear of failure. Those doubt ridden moments of assuming that your efforts of that day’s scratchings are simply not up to scratch! When you pick up a novel of one of your favourite authors and get that tremendous shock to your system on the realization that this person is so far ahead of you that you possibly may be wasting your time.

And this is the pivotal moment that I’ve been striving to get to over the past 800 words. This is the moment to dig deep into yourself and decide that you are not going to throw in the towel. You can handle the periods of writer’s block; the fact that your close friends become slightly embarrassed anymore to ask: How’s the book coming along? When the 27th rejection slip comes into your otherwise empty mail-box from an agent who you are most certain in your head (heart actually) has not even read your submission.

And there we are, back to that place again. Alone again, naturally! (song lyric from the 1970’s) Decision time! Are you going to stand up and walk away, or, sit back down and beat the crap out of the keys? Beat them into submission! Own them! Devour them! Write the best you’ve ever written! You know it’s true-the hell with anyone who doesn’t!

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Don’t stop! Write, write, write! Till your fingers bleed! Till the sun goes down! Till the sun rises again! And then, write some more! And love it when you’re doing it!

As an old Irish proverb goes: Live life to the full, my son (or daughter) ‘cause you’ll be dead long enough!

I don’t offer advice but I’ll repeat a piece from someone else.

Start with short stories. Hone your craft with short, sharp stories. Easier to tackle a 6th draft of a short story than the onerous task of a 6th draft of a long first novel.

Then when you have finished honing your craft, you can begin your masterpiece!

© Patrick J. Power 2017

Goodreads Author: https://www.goodreads.com/author/show/13955676.Patrick_J_Power

Facebook: https://www.facebook.com/patrickjpower31/

LinkedIn: https://www.linkedin.com/in/patrick-j-power-a4939412b

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