[eLearning Industry] The Virtues Of eBooks And Audiobooks In eLearning

Kim Staflund: founder and publisher at Polished Publishing Group (PPG) and author of the PPG Publisher’s Blog

This post first appeared on the eLearning Industry website in June 2017 here: The Virtues Of eBooks And Audiobooks In eLearning.

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When it comes to the types of information products you can provide as free eLearning tools to prospective students, an eBook (such as a .PDF, .MOBI, or .EPUB) is a great option. In fact, so is an audiobook. Never limit yourself to one format over another, because each has its own unique advantage.

eBooks And Audiobooks In eLearning: The Advantages Of Each One

Everyone learns in a different way. Some people are more visual eLearners who prefer to savor and digest the text in front of them, at their own pace, in the quiet comfort of their favorite learning space. An eBook not only allows them to do this, but it also allows them to go back and review what they’ve read, to give it further thought later on.

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And then there are the people who spend so much time commuting by car on a daily basis—whether they’re driving to work, or taking the kids to and from their extracurricular activities after school—that they’re left with little spare time for any kind of “traditional” reading at the end of each day. They still want to better themselves as much as the visual eLearners do, but what can they possibly do? Audiobooks are the perfect eLearning tool for this group.

As a book publisher and sales coach for authors, I train aspiring and established authors, e-teachers, and various other internet marketers about everything related to book writing, publishing, sales, and marketing so they can achieve the best possible results in all areas of this business. My advice to them all is that each and every information product has its own merits, and it’s therefore wise to utilize them all whenever you can. If you cast a wider net, you may just catch more fish and help even more people than you could have with only one format.

CLICK HERE TO BUY IT NOW!

2 Examples Of Educational Guides For Authors

Below are a couple of excerpts from one of my most recent educational guides for authors. I’m including them here simply to show you the unique features and benefits of these 2 eLearning formats:

Example 1: A Non-Fiction eBook For Cooking

This is the promotional content (a.k.a. elevator pitch) for a non-fiction eBook cookbook:

When only a choice dessert made from the finest ingredients will do, you need The Cheesecake Doctrine. Now a wide variety of cheesecake recipes from all around the world are quickly searchable and at your fingertips, on every digital device from your smartphone to your tablet or computer desktop, in this easy-to-use .EPUB cookbook. Extraordinary delights await you from chocolate cheesecake and unbaked cherry cheesecake to an appealing variety of gluten-free treats. Why wait? Download your copy right now and impress your guests tonight!

Example 2: An “Inspirational Novella” Audiobook

Whereas the elevator pitch for an “inspirational novella” audiobook might sound more like this:

Based on a true story about the author’s own battles to overcome incredible odds and build a successful health supplement business from humble beginnings as an underprivileged orphan, this is the ultimate in inspirational audiobooks. Are you tired of “the nine to five grind” of the standard workday? Would you love to enjoy more success in all areas of your life, particularly with money? Now you can learn the financial success formula described in this book from someone who understands, firsthand, what it is to struggle and succeed.

Whether you’re listening at work, during a jog, on a plane, or in the car, you’ll enjoy this inspirational novella so much more with its studio narrated voice-overs and professional music scoring that allows you to truly feel the experience and emotion of the story The Path Less Worn. Download this audiobook now so you have it ready when the inspiration hits. You’ll be so glad you did.

CLICK HERE TO BUY IT NOW!

Offering Your Students eBooks And Audiobooks In eLearning

Through these two examples, you can clearly see the respective benefits of each format. Wouldn’t it be wonderful if you could offer your free eLearning tool to your prospective students in both formats, so they could choose which one works best for them? Do you see how helpful this could be? At the end of the day, it’s quite simple to convert an eBook to an audiobook using the services of a platform like ACX.

When it comes to the types of information products you can provide as free eLearning tools to your prospective students, an eBook (such as a .PDF, .MOBI, or .EPUB) is a great option for sure. In fact, so is an audiobook. You should never limit yourself to one format over another because each has its own unique advantage that can help you to reach more people.

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2017 Polished Publishing Group (PPG). All rights reserved.

The Science of Revision: Words Are All We Have

Jack Strandburg, Freelance Editor at J. S. Editing Services

Revising fiction, whether in the form of a short story, novella, or novel, is more than spell and grammar check; every fiction writer knows that; otherwise there would be no need for editors, and having recently started a freelance editing business, I’m thankful for that fact.

I have edited more than thirty-five novels in various genres, and although different genres offer different challenges, and “what to look for,” the common goal among the genres is to capture the reader and throw him or her into your world.

A work of fiction, if written well, consists of three major components – Character, Plot, and Setting. The argument of whether one is more important than the other two can, and is, discussed in books and articles ad nauseam, and for that reason, is beyond the scope of this blog.

My intent is to provide a set of guidelines on how to approach editing in all three components to produce the best possible story.

You probably got enough sleep last night, so I won’t bore you with a lot of narrative; instead I’ll stick with examples, which I believe does a much better job emphasizing my point . . . you know –show v. tell.

I will spend a little time on the three major components, but want to focus more on a topic, that perhaps does not command as much attention, yet, in my mind, is as equally important as “the Big Three.”

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Character:

We want the reader to “see” our characters, so we strive to provide as vivid a physical description as possible. We accomplish this by using similes and comparisons.

“In the eyes, round beneath soft brows, the slender, finely shaped nose, and full lips, I saw both sensuousness and refinement.”

“His measured walk resembled a skilled countryman as distinct from the shamble of the general laborer.”

“Joe left Arizona to attend college in California,” tells the reader little about Joe, but “Joe said goodbye to his parents, left his rural home in Phoenix, and drove to California to study engineering in UCLA,” not only reveals much more about Joe, but perhaps raises the question, why did Joe drive rather than fly?’

Plot:

Ensure there is conflict and obstacles for the protagonist, the antagonist presents a challenge, and the flow of events is seamless.

Ensure the accuracy of factual information. For example, if a character travels from New York to Spain, he or she should not complain about the rental car’s lousy gas mileage.

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Setting:

Show v. tell when describing a place in your story, with heavy and frequent references to the five senses.

Word Power

When I edit, either for myself or for a client, I spend at least as much time, if not more, on word power. The goal should be to write each sentence in the least number of words as possible, provided, of course, it does not change the meaning or sacrifice what the writer wants to say.

Most writers know to avoid adverbs by either eliminating them, or substitute more powerful verbs.

Weak words and phrases, such as “that, had, have, would have been,” (the list is far too long for this blog) are, in the majority of cases, are unnecessary. They function only as a distraction to the reader. The same applies to overused words and phrases, such as, “the fact that, all of a sudden, at the very least, in spite of, and if nothing else.”

I see a lot of unnecessary words and phrases, and although not necessarily considered “bad writing,” and usually skipped over while reading, when such words and phrases are eliminated, their distraction is obvious.

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“He thought to himself to “he thought.” (who else would he think to?)

He nodded his head” to “he nodded.” (as opposed to nodding his shoulder?)

“He shook his head to indicate no.” to “he shook his head.” (Granted, he might shake his head for another reason, but the context would indicate whether he was responding to a question).

“He got up out of bed.” to “He got out of bed,” or even better, “he climbed out of bed,” which eliminates the unnecessary “up,” and also substitutes a more powerful verb.

Of course, we have the ever-popular phrase I read in books, newspapers, and hear in movies and TV shows.

“Past history or past experience.” All history and experience is “past.”

A number of verbs used to link a second verb are prevalent in fiction writing, most notably “take and took,” “made and “make.”

“He made a move,” to “he moved.”

“He took a shot,” to “he shot or he tried, or he attempted.”

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During the first revision of my first commercially published novel, the editor cited the elimination of two unnecessary words – that and had.

Of course, has and have can be included by default.

That can be eliminated in most (not all) cases unless the writer was referring to a specific person, place or thing. (that man, that chair, that city).

Before: “By the way, I just wondered if you think that this dress looks good on me.”

After: “Does this dress look good one me?”

Before: “Suddenly, I thought that perhaps she should go back over there and sit down on top of the fence.”

After: “She should go sit on the fence.”

Eliminate or substitute all forms of “some.” (someone, somebody, sometime, somewhere), by instead being specific in identifying the person, time frame, or place.

Minimize the occurrences of pronouns within the same sentence or paragraph.

Before: He got out of bed. He went to the bathroom. He washed his face and shaved. He took a shower. He dressed and went to the kitchen. He made breakfast. (6 sentences, 6 occurrences of “he”)

After: He climbed out of bed and went to the bathroom. After a shave and a shower, he dressed and went to the kitchen to make breakfast. (2 sentences, 2 occurrences of “he”)

By applying these concepts during your revisions, you will produce a much tighter,  much cleaner, and easier to read story.

© Jack Strandburg

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Coming soon! Watch for it in the fall of 2017.

T-Shaped Marketing for Authors. The New Way to Sell Books.

Online marketing provides today’s authors with a vehicle to reach a worldwide audience where, in the past, they were pretty much limited to their own backyards. But to make any kind of real headway in this crowded space full of millions of people doing the same thing as you’re doing online, you’ve got to be Internet savvy to a degree. You’ve got to figure out a way to stand out among the rest by combining analytical and creative skills together. I’m talking about T-shaped marketing.

Co-founder of Moz, Rand Fishkin (2013), provides this succinct description of T-shaped marketing on his company’s blog:

“T-Shaped basically refers to having a light level of knowledge in a broad
array of skills, and deep knowledge/ability in a single one (or a few).”

In other words, your deep knowledge/ability—the stem of the T—is the content you’ve written about in your book(s). The flat, horizontal part at the top represents the various creative and analytical skills you can learn to best utilize the Internet in selling your book(s).

Some of today’s most recognized companies used their own unique T-shaped marketing strategies (also referred to as “growth hacking”) to build their businesses quickly when little or no venture capital was available to them: Airbnb used some shrewd background coding to hack the Craigslist platform to boost its own site’s user experience; PayPal grew quickly by paying early users for referrals; and Dropbox used a strategy similar to PayPal’s by giving early users extra storage for referrals. These tactics piggybacked their other online efforts (e.g., SEO, PPC) to supercharge each company’s scalability, hence the term “growth hacking.”

Authors can do the same. They can use T-shaped marketing to their advantage, and many of today’s most successful online authors already do. Each ebook in this series will focus on one particular T-shaped marketing avenue so authors can learn to utilize several customized strategies:

* Online (paid) and Offline (unpaid) Book Reviews | Advertising vs. Publicity
* Email Marketing
* Advertorials and Blogging
* Content Syndication and Guest blogging
* HTML Coding for Beginners
* Mobile Marketing
* Pay-per-click (PPC) Advertising
* Search engine optimization SEO
* Social Marketing
* Video Marketing
* And the list goes on!

Authors are entrepreneurs, and T-shaped marketing is every entrepreneur’s friend. The top authors move more books by getting in front of their customers and communicating with them in a clear and consistent manner; and they do this by virtue of social media marketing, blogging, book reviews, email marketing, publicity/media tours, and all the other T-shaped marketing strategies we’ll be discussing. They do what’s necessary to make themselves stand out among all the rest for their particular genres, just as business people do with traditional companies.

The good news is it’s possible! There are examples right before your eyes—right inside these mini ebooks—of successful authors who have used T-shaped marketing to sell THOUSANDS and THOUSANDS of books. You can use T-shaped marketing like a pro, too. I’ll show you how.

WEEK FIVE: REFINE YOUR BOOK | Pre-order the Third Installment Today!

WEEK FIVE: REFINE YOUR BOOK | PUBLICATION DATE OCTOBER 24, 2017

BOOK PUBLISHING SHORTCUTS FOR ONLINE MARKETERS
Six Weeks to Creating a Book Series that Earns Passive Income from Several Sources

Week One: Outline Your Book
Weeks Two to Four: Write Your Book
Week Five: Refine Your Book
Week Six: Launch Your Book

“Lather, Rinse, Repeat!”

Now online marketers can learn the method today’s most successful authors are using to sell THOUSANDS of books online per year!

* * *

More and more, I come across people who want to publish a book for all kinds of different reasons—to promote a business, fulfill a lifelong dream, commemorate a special occasion, et cetera—and they want it done quickly (e.g., within four to six weeks), and with a minimal upfront investment. These are the people (e.g., the online marketers) who would rather utilize algorithms to grow their readership than spend any amount of money on traditional forms of book promotion. These authors also want full control over their own creative processes and release dates, and they’re fine with selling their books online only. A perfect example of this type of author is today’s email marketer who is producing an “information product” (their lingo for “ebook”) as part of an ongoing email marketing campaign.

Today’s most successful online marketers know that ebooks, emailing marketing, and affiliate marketing are just as legitimate sources of passive income as real estate investment trusts and high dividend stocks are. They also know that the best way to grow one’s readership (e.g., subscribers list, followers, online fan base of any kind) is to provide genuine and consistent value that is highly useful to those readers.

Ebooks are probably one of the most effective tools in an online marketer’s arsenal. An ebook is a portable business card that can be delivered instantaneously, anywhere in the world, for free or for sale, via email, blog, website, or ecommerce site. An ebook can be read in the comfort of one’s home or office, during a commute by train or by plane, or even when standing and waiting in line. Ebooks are easily searchable documents that can be hyperlinked to an online marketer’s blog or other important information sources, providing even further value to readers. Ebooks are quite easily updateable which is especially helpful to online marketers who wish to keep their information relevant and stay on top of the dynamic Internet. Best of all, there are hundreds of thousands of affiliate marketers out there who are more than happy to help online marketers promote and sell their ebooks all over the world. It’s like having a massive sales team without having to pay them an upfront salary!

Many online marketers are now turning their previously-written blog posts into ebooks rather than starting from scratch to write a whole new document. It’s a great way to produce and share an ebook quickly which is what this series is all about: “rapid release” publishing. This “rapid release” publishing technique is used by many of today’s most successful online authors to grow their respective readerships quickly. It has produced seven-figure incomes for some and six-figure incomes for many others. Done right, it can work for online marketers, too.

 

WEEKS TWO TO FOUR: WRITE YOUR BOOK | Pre-order the Second Installment Today!

WEEKS TWO TO FOUR: WRITE YOUR BOOK | PUBLICATION DATE SEPTEMBER 12, 2017

BOOK PUBLISHING SHORTCUTS FOR ONLINE MARKETERS
Six Weeks to Creating a Book Series that Earns Passive Income from Several Sources

Week One: Outline Your Book
Weeks Two to Four: Write Your Book
Week Five: Refine Your Book
Week Six: Launch Your Book

“Lather, Rinse, Repeat!”

Now online marketers can learn the method today’s most successful authors are using to sell THOUSANDS of books online per year!

* * *

More and more, I come across people who want to publish a book for all kinds of different reasons—to promote a business, fulfill a lifelong dream, commemorate a special occasion, et cetera—and they want it done quickly (e.g., within four to six weeks), and with a minimal upfront investment. These are the people (e.g., the online marketers) who would rather utilize algorithms to grow their readership than spend any amount of money on traditional forms of book promotion. These authors also want full control over their own creative processes and release dates, and they’re fine with selling their books online only. A perfect example of this type of author is today’s email marketer who is producing an “information product” (their lingo for “ebook”) as part of an ongoing email marketing campaign.

Today’s most successful online marketers know that ebooks, emailing marketing, and affiliate marketing are just as legitimate sources of passive income as real estate investment trusts and high dividend stocks are. They also know that the best way to grow one’s readership (e.g., subscribers list, followers, online fan base of any kind) is to provide genuine and consistent value that is highly useful to those readers.

Ebooks are probably one of the most effective tools in an online marketer’s arsenal. An ebook is a portable business card that can be delivered instantaneously, anywhere in the world, for free or for sale, via email, blog, website, or ecommerce site. An ebook can be read in the comfort of one’s home or office, during a commute by train or by plane, or even when standing and waiting in line. Ebooks are easily searchable documents that can be hyperlinked to an online marketer’s blog or other important information sources, providing even further value to readers. Ebooks are quite easily updateable which is especially helpful to online marketers who wish to keep their information relevant and stay on top of the dynamic Internet. Best of all, there are hundreds of thousands of affiliate marketers out there who are more than happy to help online marketers promote and sell their ebooks all over the world. It’s like having a massive sales team without having to pay them an upfront salary!

Many online marketers are now turning their previously-written blog posts into ebooks rather than starting from scratch to write a whole new document. It’s a great way to produce and share an ebook quickly which is what this series is all about: “rapid release” publishing. This “rapid release” publishing technique is used by many of today’s most successful online authors to grow their respective readerships quickly. It has produced seven-figure incomes for some and six-figure incomes for many others. Done right, it can work for online marketers, too.

 

WEEK ONE: OUTLINE YOUR BOOK | Pre-order the First Installment Today!

WEEK ONE: OUTLINE YOUR BOOK | PUBLICATION DATE AUGUST 1, 2017

BOOK PUBLISHING SHORTCUTS FOR ONLINE MARKETERS
Six Weeks to Creating a Book Series that Earns Passive Income from Several Sources

Week One: Outline Your Book
Weeks Two to Four: Write Your Book
Week Five: Refine Your Book
Week Six: Launch Your Book

“Lather, Rinse, Repeat!”

Now online marketers can learn the method today’s most successful authors are using to sell THOUSANDS of books online per year!

* * *

More and more, I come across people who want to publish a book for all kinds of different reasons—to promote a business, fulfill a lifelong dream, commemorate a special occasion, et cetera—and they want it done quickly (e.g., within four to six weeks), and with a minimal upfront investment. These are the people (e.g., the online marketers) who would rather utilize algorithms to grow their readership than spend any amount of money on traditional forms of book promotion. These authors also want full control over their own creative processes and release dates, and they’re fine with selling their books online only. A perfect example of this type of author is today’s email marketer who is producing an “information product” (their lingo for “ebook”) as part of an ongoing email marketing campaign.

Today’s most successful online marketers know that ebooks, emailing marketing, and affiliate marketing are just as legitimate sources of passive income as real estate investment trusts and high dividend stocks are. They also know that the best way to grow one’s readership (e.g., subscribers list, followers, online fan base of any kind) is to provide genuine and consistent value that is highly useful to those readers.

Ebooks are probably one of the most effective tools in an online marketer’s arsenal. An ebook is a portable business card that can be delivered instantaneously, anywhere in the world, for free or for sale, via email, blog, website, or ecommerce site. An ebook can be read in the comfort of one’s home or office, during a commute by train or by plane, or even when standing and waiting in line. Ebooks are easily searchable documents that can be hyperlinked to an online marketer’s blog or other important information sources, providing even further value to readers. Ebooks are quite easily updateable which is especially helpful to online marketers who wish to keep their information relevant and stay on top of the dynamic Internet. Best of all, there are hundreds of thousands of affiliate marketers out there who are more than happy to help online marketers promote and sell their ebooks all over the world. It’s like having a massive sales team without having to pay them an upfront salary!

Many online marketers are now turning their previously-written blog posts into ebooks rather than starting from scratch to write a whole new document. It’s a great way to produce and share an ebook quickly which is what this series is all about: “rapid release” publishing. This “rapid release” publishing technique is used by many of today’s most successful online authors to grow their respective readerships quickly. It has produced seven-figure incomes for some and six-figure incomes for many others. Done right, it can work for online marketers, too.

 

Adaptation: From Novel to Screenplay to Film

Judy Sandra – Writer, Director, Producer

These days it’s almost a given that a film will be based on a novel or book of non-fiction.  While I also write original screenplays, I decided to adapt a novel I wrote into a screenplay for a film that I will also direct. The following thoughts on adaptation come from my personal experience of adapting the novel The Metal Girl into the film project “Metal Girl.”

From Novel to Screenplay to Film

Novels and films are such different species that it can feel unnatural to marry them.  After the adaptation, the only thing they will share will be a story, the setting, and the characters. A novel is a completed art form.   One author writes the book, and one reader reads the book one at a time.  If it’s a successful book, many people, even millions of people will read that same book. While each reader will see the story through their own imagination and personal interpretation, the printed words will never change.

A screenplay is the blueprint for a film.  Very few people will ever read the original screenplay.  From the screenplay, the film will be created through the collaborative efforts of the director, cinematographer, actors, and all the creative professionals that contribute to the making of the movie.

The screenplay will evolve over the duration of the actual shooting of the film, with input and collaborations between the director and actors, and it will continue to evolve during the post-production process of the film—through the editing and finishing processes. The screenplay is a fluid and ever changing document.

I emphasize this to call attention to the fact that a screenplay is not a work of art. The film is the work. The screenplay is part of the work, a very significant part, but one that remains mostly invisible. The screenplay is the beginning of a process of the making of a film.

While this may seem an obvious point, it becomes a very important one when thinking about adapting a novel to the screen.  To me the screenwriter, the novel I have in front of me is a piece of writing that I am now going to bend to the medium of film.  The first thing to consider is adapting prose to dramatic writing and the limitations of the screenplay format.

From prose to screenplay format

To adapt the prose into a screenplay, I have to think about the story differently, as a series of scenes in three dimensions.  Also, to accommodate the average length of a film–one hour and forty-five minutes–most working screenplays are between approximately 90 and 105 pages. The narrative of an average 300-500 page novel simply won’t fit. Something—a lot—has to go.

How does one tell a novel length story in a 105 page script?

Efficiently, using the language of film.

What actually happens in an adaptation is that the story of the book gets retold in the language of film. In essence, you will be writing the original story again, but this time, it’s going to be a movie. That’s how it felt when I adapted The Metal Girl.  I was re-writing the novel, telling the same story in the same situations, but this time I was telling it using pictures, music, sound, and color. How would I tell that story, what would it look like, and how would those characters come to life on the screen?

Planning the adaptation: Structure

What elements of the story would stay and which could I cut out? Which characters, events, locations? What parts could I eliminate and what parts did I have to keep to portray the theme of the story and the main character’s journey?

What would change, and what would stay the same? This is not always evident at first. Through all the versions of the script, some events, situations, characters in the novel will be lost, but at the same time, other elements that were not in the original story might be added for dramatic effect. Further changes will occur over the course of the shooting and editing of the film.

The old adage of filmmaking is true: “There is the film you write, the film you shoot, and the film you edit”.  A film is an evolving creative process, but that’s one of the things that for me makes filmmaking so exciting: you never really know what a film will be or look like until the end.

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Beginning, Middle, End

The first consideration is the structure of the film story, which may have to differ from the structure of the novel. Deciding on the best timeline for the events of the story in the film is the first thing to adapt. In film one wants to build the narrative and keep the audience guessing. Surprise is an important element of screenwriting—the twists and turns of the plot—and one of the devices that holds the attention of the viewer.

A novel also has to move forward, but doesn’t have to build on emotion in the same way as a film.  A film takes the audience on an emotional journey. The film must hold you in your seat in rapt attention for one sitting of 90 to 105 minutes. So the screenplay must be structured in such a way as to build towards a dramatic, emotional climax that is resolved by the end. The words on the page don’t need to do that. The book can be of interest and engaging but we can put it down and come back to it later.

For example, in The Metal Girl, one very important event in the development of the main character Charlotte happened in the early part of the novel. But in the screenplay “Metal Girl”, for dramatic purposes, I put off that moment, building up to that point later in the story. When the moment occurs in the film, the audience is ready for Charlotte’s emotional response, and it becomes a turning point for the development of her character and the arc of the story.

Characters—Subtracting and Adding

In the same way that the narrative structure may have to change, in the screenplay you may have to make changes with characters in the story, especially if there are a lot or there are many incidental characters.  For the reasons of character development, the story arc, and the time constraints of a film, incidental characters need to be kept to a minimum.  Some characters in the novel fell away because I didn’t need them as they weren’t a crucial part of the story.  In the novel they may have added another color in the development of the main character or to the texture of the story, but in the film they were unnecessary extra details.

One reason that some new characters may appear in the script is to move the narrative forward, as the film will have a different story arc than the novel. Also, one might add characters and scenes that don’t appear in the novel in order to translate internal thoughts into dialogue. For example, the novel The Metal Girl is written in the first person.  In fact, in the novel, the narrator doesn’t even have a name. Because the entire story is coming from her mind and also describes her feelings about situations that occur, I sometimes chose to create a character that didn’t exist in the book for her to interact with in order to turn her thoughts into dialogue and her internal emotional state into her responses to other people.

Keeping what works 

In spite of what I said above, sometimes what is written in the novel works perfectly well on screen. After all the film is based on the novel and you want to keep as much of the flavor of the original story as possible. In “Metal Girl” some of the dialogue in the screenplay comes directly from the  novel. Parts of the first person narrative in the book were used as voiceover in the screenplay. In the beginning of the film, we hear the main character Charlotte telling us about what we are seeing on screen as we watch the opening scenes unfold before she actually speaks in the film. Other scenes in the film were lifted directly as they were written in the novel. If it works, use it.

The End

The process of making a film, from pre- to post-production, typically takes one to two years. During that time the story has been guided by the director, writer, and producer with the collaborative efforts of the cinematographer and the entire creative team. Shooting every day is magical: how things come together on camera, what the performances will be. Putting the film together in post production—the editing and finishing process—is the final adventure.

Filmmaking is an unpredictable controlled chaos of creativity. At the end of this exciting, creative, and arduous process, you will have a film. The adapted screenplay will not be a replica of the novel, but hopefully will become a  film that is as special as the novel that inspired it.

Judy Sandra – Bio:

Judy Sandra is a director, writer, producer, and author. The screenplay “Metal Girl” is an adaptation of her coming-of-age novel The Metal Girl.  Judy has received four best screenplay award nominations for “Metal Girl”, including being honored as one of the three screenwriting finalists at the 2016 Nottingham International Film Festival, Nottingham, UK.

In 2016, she made her directorial debut with the comedy/fantasy short film  ”Angelito in Your Eye”.  Judy has received six international film award nominations for the short from international awards festivals, including for Best Comedy Short Film, Best Genre Film, and Best Actor.

LINKS:

Judy Sandra – Writer, Director, Producer
website: http://judysandra.com

The Metal Girl on Amazon:
https://www.amazon.com/Metal-Girl-Judy-Sandra/dp/0578038781/ref=sr_1_5?ie=UTF8&s=books&qid=1264541453&sr=1-5

Follow Judy and on Social Media:

Facebook:
Judy Sandra Director: https://www.facebook.com/JudySandraDirector
Metal Girl – Movie: https://www.facebook.com/MetalGirlMovie
The Metal Girl – Novel: https://www.facebook.com/TheMetalGirl

Twitter:
@judy_sandra

Instagram:
@judysandra7

 

© Judy Sandra 2017

New Book Series Coming Soon! Book Publishing Shortcuts for Online Marketers

BOOK PUBLISHING SHORTCUTS FOR ONLINE MARKETERS
Six Weeks to Creating a Book Series that Earns Passive Income from Several Sources

Week One: Outline Your Book
Weeks Two to Four: Write Your Book
Week Five: Refine Your Book
Week Six: Launch Your Book

“Lather, Rinse, Repeat!”

Now online marketers can learn the method today’s most successful authors are using to sell THOUSANDS of books online per year!

* * *

More and more, I come across people who want to publish a book for all kinds of different reasons—to promote a business, fulfill a lifelong dream, commemorate a special occasion, et cetera—and they want it done quickly (e.g., within four to six weeks), and with a minimal upfront investment. These are the people (e.g., the online marketers) who would rather utilize algorithms to grow their readership than spend any amount of money on traditional forms of book promotion. These authors also want full control over their own creative processes and release dates, and they’re fine with selling their books online only. A perfect example of this type of author is today’s email marketer who is producing an “information product” (their lingo for “ebook”) as part of an ongoing email marketing campaign.

Today’s most successful online marketers know that ebooks, emailing marketing, and affiliate marketing are just as legitimate sources of passive income as real estate investment trusts and high dividend stocks are. They also know that the best way to grow one’s readership (e.g., subscribers list, followers, online fan base of any kind) is to provide genuine and consistent value that is highly useful to those readers.

Ebooks are probably one of the most effective tools in an online marketer’s arsenal. An ebook is a portable business card that can be delivered instantaneously, anywhere in the world, for free or for sale, via email, blog, website, or ecommerce site. An ebook can be read in the comfort of one’s home or office, during a commute by train or by plane, or even when standing and waiting in line. Ebooks are easily searchable documents that can be hyperlinked to an online marketer’s blog or other important information sources, providing even further value to readers. Ebooks are quite easily updateable which is especially helpful to online marketers who wish to keep their information relevant and stay on top of the dynamic Internet. Best of all, there are hundreds of thousands of affiliate marketers out there who are more than happy to help online marketers promote and sell their ebooks all over the world. It’s like having a massive sales team without having to pay them an upfront salary!

Many online marketers are now turning their previously-written blog posts into ebooks rather than starting from scratch to write a whole new document. It’s a great way to produce and share an ebook quickly which is what this series is all about: “rapid release” publishing. This “rapid release” publishing technique is used by many of today’s most successful online authors to grow their respective readerships quickly. It has produced seven-figure incomes for some and six-figure incomes for many others. Done right, it can work for online marketers, too.

 

Creating Stories: The Uses Of Setting

Award-Winning Author Hank Quense

The story’s setting gives the readers a sense of time and location. This allows the readers to begin building images in their minds. The scene settings (which are subsets of the story setting) give additional image building information to the readers. But setting does much more than provide image building clues.
These uses are listed below.

1. The setting of the story should give an indication of the type of story the reader is about to encounter and this should be conveyed early to the reader, the earlier the better. Ideally, this should be the opening paragraph in a short story or the first few pages in a longer work. Is it a mystery set in Victorian London? Is it a story of survival set in war-torn Iraq? Are those vicious aliens on their way to Earth? The reader expects and has a right to know this stuff as early as possible. Don’t disappoint the readers. They may put the book down and never open it again.

2. There are two types of setting in a story. First, there is the overall story setting and second there is the settings used in scenes. The scene settings are subsets of the story setting. For instance, if the story setting is the Sahara Desert, then scenes can be set on sand dunes, at an oasis, in a sand storm or at a deserted fort.

3. Consider your characters acting out the story on a stage. Behind the characters, instead of the scenery typical with plays, there is nothing but white panels. The people who paid money to see the play would be dismayed by the lack of scenery, so too your readers will not like it if your story doesn’t have the appropriate setting to back up the characters.

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4. The setting used in your story has to be accurate. Don’t try to set a story in Manhattan’s Central Park if you haven’t been there. Likewise, the French Quarter in New Orleans is unique and shouldn’t be used by anyone who hasn’t walked the narrow streets.

5. On the other hand, if you develop an imaginary location, you can describe the area any way you want. If you use a backdrop of a historical period in the distant past, none of your readers will have been there, but you’ll still have to do research to get the setting accurate. You can’t use St. Paul’s Cathedral with its great dome in London right after William the Conquerer became king of England. St Paul’s wasn’t built yet.

6. An effect of establishing the setting is the placing of limitations on the author and the characters. For the author, a space ship means he shouldn’t have the characters using swords and landline phones since these artifacts are from bygone eras. Your characters are also limited. A character in the Old West can’t have knowledge of computers or smart phones, unless he’s a time-traveler.

As you can see, the setting can have a major impact on the reader, especially if it isn’t handled correctly.

This article is based on material in my book Creating Stories.

© Hank Quense 2017

[NEW BOOK] Puppies: Surviving the First Six Months

Larry Neilson of Konfident Kanines Inc.

NEW BOOK coming soon to PPG from Larry Neilson of Konfident Kanines Inc. … Puppies: Surviving the First Six Months. Watch for details here.

Excerpt from the website http://www.konfidentkanines.com/:

Konfident Kanines does not dominate – We educate
 
Konfident Kanines adheres to a balanced training approach focused on establishing a reliable partnership between you and your dog that is founded on the building blocks of trust, respect confidence and loyalty.
 
KKI will guide you skillfully along a path that will lead to a lifelong partnership between you and your dog.
 
In order to coach you effectively we recognize that a large part of our responsibility is to direct you towards a better understanding of how dogs think and learn. At KKI we pride ourselves in our ability to teach others to communicate with their dog in a manner that makes sense not only to you, but to your dog as well.
 
KKI’s proven methodology will open the doorway to a whole new learning experience while you gain a new appreciation of why dogs behave in certain ways and more importantly, what role you may be playing in contributing to your dogs behaviour.
 
Our philosophy is deeply rooted in the belief that kindness is powerful and never weak. An effective balance of kindness, skill, and years of experience equates to a balanced and structured training philosophy geared towards uniting a dog and his handler.